The Artist’s Archive: Why Documenting Your Work Matters
There is a particular kind of silence that falls over a studio after a work leaves it. The piece goes to a group show, then into a collector’s hallway, then — often — into storage, a…
The Sculpture of Donald Judd: Neil Levine Takes Judd at His Object, Not His Word
Neil Levine, The Sculpture of Donald Judd. Yale University Press, 192 pp., more than 150 illustrations. Few artists have policed their own reception as effectively as Donald Judd. He rejected…
How Artists and Curators Can Collaborate Effectively
The most memorable exhibitions rarely come from a curator imposing a thesis on finished work, or from an artist handing over objects and disappearing. They come from a genuine collaboration —…